Tag Archives: Graphic Design

Avengers Classic

It’s Friday plus lol does anything even matter at this point so let’s burrow into the back-issue bins for some old and/or obscure comics.

Once again, I’m admittedly writing about a big name from a big publisher, but Avengers Classic from 2007 was, relatively, a brief blip and was certainly a little odd. Maybe a lot odd.

On the surface, Avengers Classic is obvious. A serial reprinting of Marvel’s popular Avengers title. The reprints have new cover artwork, which has been fairly typical for reprints for decades. (This makes some sense, even when the original covers were iconic Jack Kirby drawings, because it has always been ordinary for publishers to fuss over different options for cover art, knowing its importance to sales. It has probably become even more reasonable as printing technology has improved, and modern coloring in particular involves rich hues and gradients which 1960s comics art was never intended to blend with.)

Also on the surface, Avengers Classic is very obviously modeled on the Classic X-Men reprint series of a couple decades earlier. That doesn’t seem so odd, but the more I examine this in detail the more odd it becomes.

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“Girlfrenzy” 1998

Nearly all of my most recent comic book purchase consists of female-led stories. This was by intent. I’m not entirely sure why or why now, but it was a conscious goal while making my selections, which is almost the only way this would happen; the great majority of comics including my own collection feature male characters. A little more variety seems all to the good.(1)

The majority of these female-led stories are from two DC… projects I guess we’ll call them, from 1998. This was not as much by intent, per se. But the “Girlfrenzy” and Tangent families offered known places to find a variety of complete-in-one-issue female-led stories, and the single examples of each which I owned already are satisfactory.(2) Plus, the dazzling cover design still feels remarkably fresh after 22 years.

I have already made comments on the individual comics in a previous post, but there are a few observations worth making about the whole assemblage.

First of all the fact that these projects existed at all, in 1998 no less, still seems a little astonishing. “Girlfrenzy” was an overt attempt to publish a family of female-led stories—something which as noted is rare enough in the world of comics publishing—and in the same year the Tangent project featured women in at least half of its lineup even though that was in no way required by the concept. Granted that both of these projects were also planned as one-offs and left that way, it’s still fascinating to me that someone greenlit even that much.

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Lost and Found Files of Sherlock Holmes

I have been accumulating comic books for nigh on a quarter-century, at this point. Strangely, though, it occurs to me today that while I generally think of “my comic book collection,” it may be that I’ve never really approached its assembly as collecting, per se. I’ve rarely emphasized completion for its own sake, and I’ve also felt very little instinct to show off my holdings… It was this latter point that really got me thinking about what makes a collection vs not, because I’ve realized that by contrast I do like the idea of showing off my nascent Sherlock Holmes collection a bit.

Sherlock Holmes book and two video games

Items 39-41

I think this could well be a semi-regular topic for this blog, in fact. We’ll see. For now, my three most recent acquisitions.

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