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Why “The Martian” will be a blockbuster hit (unfortunately)

After reading The Martian the other day, I gave it four of five stars at goodreads. I read the whole thing in about 24 hours, and can certainly recommend it; up until the very last page I probably would have rated it five out of five. It basically dropped one whole star in the final paragraphs.

Upon reflection, I’ve decided that my main complaints about the novel come down to sentimentality. My minor complaint involves a strain of fantasy in the story; by contrast the object of my major complaint (supercharged during the closing paragraphs) is probably all too realistic. It could make sense to complain about too much and too little realism at the same time, I suppose. But in this case, my objection isn’t really about extremes as much as it’s about an extreme (in my view) of sentiment.

It felt somewhat odd when I finally realized that this is the common theme to The Martian‘s flaws (as I perceive them). In many ways it’s very, very strange to apply the word “sentimental” to this story in any way. To be completely blunt, while I found it a page turner and while I’m not alone, I think the majority of The Martian feels remarkably like a space-exploration-themed series of sample engineering problems from a college textbook. It reminds me of Verne, particularly The Mysterious Island, except with the engineering content ratio much higher. The majority of the other content, meanwhile, documents meetings of NASA administrators.

Again, I found the result nonetheless gripping, and much credit to author Andy Weir. That said, the story he produced from these parts made me frustrated and even angry at points, and unlikely as it may be the reason is basically unchecked sentiment.

I’ll be blunt a second time, now, and just say that my biggest complaint about The Martian is how the whole thing is basically a fantastic, horrible illustration of the aphorism that “one life is a tragedy, a million lives is a statistic.”

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